TALK PHOTO is a fortnightly evening social event in Oriel Colwyn’s gallery space, where invited speakers will be here IN PERSON to share presentations and insights about their work or projects, with a friendly intimate audience.

Due to space limitations, we will be restricting each event to 30 tickets only and are happy to make the tickets FREE OF CHARGE to remove any financial barriers to attend.

Although the talks are free of charge, tickets will be required to attend and they will be issued on a first come, first served basis via the links – be quick!

We do ask however that if you find you can’t make it, you return the ticket for others that may be on the waiting list.

If you do happen to be in a position to contribute towards the talks then donations can be made as you order which will directly help with the continuation of these events going forward.

Tickets for current TALK PHOTO events are now available via the link(s) below:

To make things fair we will only release tickets for these events on a monthly basis.

TUESDAY 5th NOVEMBER

STEPHEN CLARKE

Stephen Clarke (b.1962) is an artist and writer based on the Wirral. He studied Fine Art and photography at Newport College of Art in South Wales and then, as a postgraduate, Fine Art Printmaking at Winchester School of Art in Hampshire. He has previously exhibited his photographs and photomontages in a solo exhibition at Oriel Colwyn in 2012/2013. Titled ‘Shifting Sands’, these pictures presented his family holidays in Rhyl from the 1960s to the 1980s.

In the mid-1980s, Stephen lived in San Diego, Southern California. During his stay in the city, he photographed the landscape extensively. This archive of negatives has been the starting point for a number of exhibitions and publications. In 2020, his photographs of California were exhibited in a solo show titled ‘Alien Resident’ and a smaller selection were exhibited online as ‘Drive Thru’, a Virtual Reality gallery created by Aaron Tonks.

Stephen has published his photographs of Rhyl and San Diego as photobooks with Café Royal Books. He has also worked with other independent photobook publishers including Out of Place Books, who published ‘NYC-19XX’ in 2020; these photographs of New York are the inspiration for the exhibition ‘Stars, Stripes and Steam’ currently exhibiting at Oriel Colwyn. Stephen is currently working on two new publications: photographs of New York with Café Royal Books and photographs of Midwest USA taken in the late 1990s with Fistful of Books.

Stephen Clarke is Senior Lecturer in Art and Design: Critical and Contextual Studies at the University of Chester, UK. He teaches on the undergraduate courses in Photography, Fine Art, and Graphic Design. He has an interest in tourism and the Heritage Industry; New Topographics and documentary photography; photomontage and collage.

The talk is being held on Tuesday 5th November to coincide with the US Elections – Stephen’s exhibition in the gallery will close for good after the talk, leaving you in a state of limbo as to both the unresolved results of the presidential elections and the direction of US politics.

PAST EVENTS

WEDNESDAY 23rd OCTOBER

SIAN DAVEY

Siân Davey is a photographer with a background in Fine Art and Social Policy. She worked for 15 years as a humanist Buddhist psychotherapist before beginning her creative practice.

After visiting the Louise Bourgeois retrospective at the Tate London (2007), Davey was immediately inspired to translate her history creatively. In 2011, at the age of 48, she found her medium. The camera relinquished Davey’s psychotherapy work and committed her to the process of creativity.

Her photography work is an investigation of the psychological landscapes of both herself and those around her. Davey’s four children and her community are central to her practice. She draws upon her childhood years as a constant narrative to inform her practice.

Beginning in 2020, she transformed her abandoned garden into a vibrant space, filled with wildflowers, birdsong and people.  Over three summers and in collaboration with her son Luke, Davey cultivated a botanical space rooted in love, joy and togetherness. When the flowers bloomed, they called in the community and photographed them. The resulting portraits became an expression of yearning, defiance, joy and interconnectedness. 

In 2012, Davey completed an MA in Photography at Plymouth University and went on to complete an MFA the following year.

Davey has been the recipient for awards including the winner of the Arnold Newman Award for New Directions in Portraiture, Prix Virginia Woman’s Photography Award and 3 consecutive years the National Gallery Taylor Wessing Portrait Award. Her book ‘Looking for Alice’ was shortlisted for Paris Photo – Aperture Best Book Award Shortlist 2016 and shortlisted for the Kraszna – Krausz Foundation Book Award and recently short listed for the Prix Pictet the Prix Elysée and in 2023 awarded the Royal Photographic Society Honorary Fellow

Davey is represented by the Michael Hoppen Gallery London and her work is held by major collections including The Science Museum, London; The Victoria & Albert Museum, London; The French National Collection, Paris; the Martin Parr Foundation; Bristol and the National Portrait Gallery.

TUESDAY 8th OCTOBER

SIMON ROBERTS

Simon Roberts (b.1974) is a visual artist based in Brighton, UK. Widely recognised for his large-format, tableaux photographs of the British landscape, his practice also encompasses video, text and installation work, which together, interrogate notions of identity and belonging, and the complex relationship between history, place and culture.

In 2010 he was commissioned as the official British Election Artist by the House of Commons Works of Art Committee to produce a record of the General Election on behalf of the UK Parliamentary Art Collection; and in 2014 he represented Britain during the UK-Russia Year of Culture.

He has exhibited widely, and his photographs reside in major public and private collections, including the George Eastman House, Deutsche Börse Art Collection and Victoria & Albert Museum. In 2010 he was commissioned as the official British Election Artist by the House of Commons Works of Art Committee.

He is the author of several monographs including Motherland (2007), We English (2009), Pierdom (2013) and Merrie Albion – Landscape Studies of a Small Island (2017).

SATURDAY 28th SEPTEMBER

DENNIS MORRIS

Dennis Morris started his career at an early age. He was 11 years old when one of his photographs was printed on the front page of the Daily Mirror. A camera fanatic since the age of 8, Dennis was known around his East End neighbourhood as Mad Dennis, due to his preference for photography over football. After inadvertently stumbling across a particularly feisty demonstration by the PLO one Sunday, the sharp young Dennis took his film to a photo agency on Fleet Street who promptly sold it to the Daily Mirror for £16. Accustomed to raising money for films and camera parts by taking photos of christenings and birthday parties, Dennis was suddenly on to something; his hobby and all-consuming passion could be done for a living. 

It was whilst bunking off school to wait for Bob Marley to arrive for soundcheck at the Speak Easy Club on Margaret Street, that Dennis’s music photography career really began. Marley, quite taken with the young teenager who was waiting for him, invited Dennis to come along and take pictures on the remainder of the tour. Running home to Dalston, Dennis packed his bag and jumped on the bus. His photographs of Marley and The Wailers became famous the world over, appearing on the cover of Time Out and Melody Maker before Dennis had even turned 17. 

It was Dennis’s photos of Marley that caught the eye of the young Johnny Rotten. Rotten, a massive reggae fan, had long admired Dennis’s work and requested that he take the first official shots of the Sex Pistols upon signing to Virgin Records. Still in his teens, Dennis was the same age as the Pistols and they soon learned to trust him completely, allowing him unrestricted access to their strange and chaotic existence. For a year, Dennis trailed the band, taking hundreds of undisputed classic shots of the band. The only photographer to put the Sex Pistols fully at ease in front of the lens, Dennis’s work with the band established, not only their public image, but also Dennis’s position as one of the most exciting and striking music photographers in the country. 

When the Pistols split it was Dennis who accompanied John Lydon and Richard Branson on holiday to Jamaica. Now a close friend of Lydon’s, the pair set about finding young reggae artists for Branson’s record label. Enthused by the A&R bug, Dennis took a job as Art Director at Island Records and signed The Slits and L.K.J to the label. Still working with John Lydon, Dennis was instrumental in creating the seminal P.i.L sleeves, logo and metal box. His passion for music led him to form his own pioneering black punk band, Basement Five. The next few years were filled with music, as Dennis broke from the mould of one-trick music smudge and involved himself with making records. In 1984 he formed drum & bass outfit Urban Shakedown, who were picked up by Paul Weller to be the first release on his Respond label. His late 80s hip-hop outfit, Boss, were later signed to Virgin Records and released 4 singles.

With a career spanning more than 20 years, and a c.v. that reads like a Who’s Who of popular music and culture, Dennis Morris continues to photograph the leading musicians of the time such as Bush, Oasis and The Prodigy. Several books of his work have been published such as Bob Marley: A Rebel Life; he has held exhibitions in the UK, Japan and Canada, and his photographs have appeared in Rolling Stone, Time, People magazine, and the Sunday Times, amongst others. 

Dennis Morris now lives in London with his wife and children. A professional photographer of high-regard, he is also involved with projects for the BBC and Channel 4.

THURSDAY 12th SEPTEMBER

ROO LEWIS

Roo Lewis is photographer based in North London. His previous projects have ranged from documenting Druids in the West Country, Hollywood Jesus in LA and Elvis Tribute artists in Wales. He has worked with publications such as Vogue, The Guardian, and VICE amongst others, and been commissioned by brands including Toast, Island Records, Belstaff, Sony and Martell.

His work has appeared at the National Portrait Gallery and the Royal Academy.

Roo’s long-term projects are developed by building trust with communities, conveying his subjects with empathy, emotion and integrity which is further emphasised by employing an analogue approach.

Over a period of two years Roo photographed the Welsh town of Port Talbot which, according to actor Michael Sheen, has an ‘extremely high number of UFO sightings’. However, the resulting book Port Talbot UFO Investigation Club(published by GOST in 2023) is not a study of UFO sightings but instead uses the phenomena as a starting point to explore the people, landscape and folklore of the town…

WEDNESDAY 28th AUGUST

COLIN WILKINSON

After a short career lecturing in further education, Colin Wilkinson left in 1973 to create a pioneering media project in Liverpool. Based on the Canadian Challenge for Change programme, Merseyside Visual Communications Unit gave community groups access to training and resources in film, video and photography. 

In 1977, Open Eye Gallery emerged as the public face of the organisation, exhibiting masters of photography such as Lewis Hine, August Sander, Edward Weston and Imogen Cunningham alongside emerging talents including Tom Wood, Brian Griffiths and Bruce Gilden. 

In 1982, Colin left to create photographic company Light Impressions and started publishing books, postcards and posters. This evolved into Bluecoat Press in 1992, which gained a national reputation for its books specialising in British documentary photography and photojournalism.

Photographers published include John Bulmer, Tish Murtha, Nick Hedges, Chris Steel-Perkins and Jim Mortram. 

In 2022 Colin sold Bluecoat Press to 1854 Media (publishers of the British Journal of Photography) but has since re-entered publishing with his new imprint Image and Reality.

THURSDAY 15th AUGUST

JAMES CLIFFORD KENT

James Clifford Kent returns to Oriel Colwyn – the home of his first exhibition Memories of a Lost Shark (2013) – to share stories about his continuing work in the UK and Cuba. 

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James Clifford Kent is a London-based photographer and lectures on visual culture at Royal Holloway, University of London. His socially-engaged practice and collaborative projects involve connecting people through the power of visual storytelling. 

His award-winning work exploring untold stories and marginalised communities has been published widely, featuring in the press (The Times and The British Journal of Photography) and world-leading journals (The Lancet, History of Photography & Royal Photographic Society Journal).

James has also exhibited work and supported curatorial projects at Royal Academy of Arts & The Photographers’ Gallery, and facilitated workshops and delivered keynote talks at prestigious institutions, including The British Library and Fototeca de Cuba. His first book – Aesthetics and the Revolutionary City – was published in 2019 and he was awarded Fellowship of the Royal Photographic Society in 2022.

James has traveled regularly to Cuba since 2004, covering historical events such as the funeral procession of former Cuban leader Fidel Castro in 2016. His award-winning project “¡No hay más na’!” (There’s Nothing Left, 2022–24) documents narratives of survival in crisis-hit Cuba.

Other recent work capturing expectant parents and healthcare workers’ experiences of pregnancy/birth has involved collaborating with NHS England (2022-24) and contributing to a broader conversation on health and social welfare.

He is currently working on his first photobook – Yuma – about his experiences living and working on the island between 2004-2024.

https://www.jckent.com

WEDNESDAY 31st JULY

HOMER SYKES

Homer Sykes is a professional magazine and documentary photographer. His principal commissions in Britain during the 1970’s – 1980’s, were for what used to be called the “weekend colour supplements” such as The Telegraph, The Sunday Times, The Observer, You and the Sunday Express magazines. 

He covered weekly news for Newsweek, Time, and the former Now! Magazine; covering conflicts in Israel, Lebanon, and Northern Ireland, as well as weekly news in the UK. Over the last fifty years he has shot numerous magazine portraits of the famous and not so famous – at home, at work and at play. Having always worked on personal photographic documentary projects along side commercial magazine assignments.  

In the 1970’s, Homer started on what has become an on going career project documenting traditional British folklore customs and annual events.  In 1977 his first book was published ‘Once a Year, Some Traditional British Customs’ (Gordon Fraser). In 2016 Dewi Lewis Publishing re-published this volume with over 50 ‘new’ images from his archive.  

Homer is the author, and co-author-photographer of nine books about Britain as well as Shanghai Odyssey (Dewi Lewis Publishing) and On the Road Again (Mansion Editions). The latter, an American project, was started in 1969, while he was at college. The photographic road trip was repeated in 1971, the work was then put away for thirty years, and in 1999 and 2001 he travelled once again by Greyhound bus criss-crossing America documenting the ‘down home’ idiosyncrasy of everyday middle America. 

In 2002 he set up a one-man band self-publishing concern Mansion Editions. To date Mansion Editions has published On the Road Again and Hunting with Hounds. More recently Cafe Royal Books have published 30 zines of Homer’s work.

As an award-winning photographer he has never been busier, managing an extensive archive of over twenty thousand content rich images, working on personal projects, and shooting new material.

Many private collectors and national collections of his work. Homer spent ten years visiting Lecturers at the London College of Communication (University of the Arts London) taking group and one-to-one tutorials with both MA and BA students studying Photojournalism and Documentary photography.

TUESDAY 16th JULY

JACK LATHAM

Jack Latham is a photographer based in the UK. He is the author of several photobooks, A Pink Flamingo (2015), Sugar Paper Theories (2016), Parliament of Owls (2019), Latent Bloom (2020) & Beggar’s Honey (2023). 

His work has featured in a number of solo shows which include, Reykjavik Museum of Photography, TJ Boulting Gallery and the Royal Photographic Society. Parliament of Owls was exhibited at Oriel Colwyn in 2020

In ‘Parliament of Owls’, Jack Latham explores the effects that a vacuum of information can cause.

Nestled within the redwood forests of Monte Rio, northern California, sits Bohemian Grove, a 2,700-acre retreat owned by the exclusive gentlemen’s San Francisco Bohemian Club, founded in 1872.
Every summer, the retreat is frequented by the political and business elite of the US. Shrouded in secrecy, the activities at the grove have become the subject of countless conspiracy theories and rumours.

Jack’s latest work, ‘Beggar’s Honey’ is an exploration into the clandestine world of click farms. 

Click farms are shadowy operations that are responsible for artificially inflating the engagement metrics of content on social media, manipulating the algorithms with serious consequences – from influencing consumer behaviour to compromising the integrity of democratic processes.

Jack Latham’s project seeks to expose the inner workings of click farms for the very first time. By juxtaposing the captivating with the covert, he challenges our perception of the digital landscape and urges us to question the authenticity of the content we encounter daily.

Latham’s projects have also gone on to win multiple awards including the Bar-Tur Photobook award (2015), Image Vevey – Heidi.News Prize (2019) and BJP International Photography Award (2019).

FRIDAY 5th JULY

CAROLYN MENDELSOHN

Carolyn Mendelsohn is an artist and portrait photographer based in Yorkshire but working across the UK, whose practice is rooted in telling stories and amplifying those quieter voices through co-produced portraits. Her passion is to be able to connect and communicate with people of all ages and backgrounds, to create work that is strong, powerful and based on their lives and stories. 

She is recognised internationally for her portraits, including her portrait series, exhibition and book Being Inbetween, a series of portraits and stories of girls aged between 10-12, (of which a selection was exhibited as part of The Northern Eye Festival in 2021) and is the founder of Through Our Lens, a workshop and mentoring programme that enables people to tell their stories through the medium of photography.

Her work has been exhibited internationally, with solo and group exhibitions in national galleries including Impressions Gallery, Bradford, The Imperial War Museum London, Galerie Huit Arles, France, The Royal Albert Hall, and In Galleries across the UK and Europe. She has been published by the BBC, The Guardian, The Sunday Times, The Telegraph, La Monde, and British Journal of Photography, The Royal Photographic Society Journal amongst many others. 

Carolyn’s awards include BJP Portrait of Britain 2017, 19, 21, 23 – Open Wall Arles winner 2020, The Kuala Lumpa International Portrait Awards 2021, The Royal Photographic Society International Photography exhibitions RPS IPE 159 gold and she was a finalist for RPS IPE 160. In 2020, Carolyn was named winner of the Portrait Series category for the 15th Julia Margaret Cameron Awards. Carolyn was nominated for the Royal Photographic Society 100 heroines award. 

Her monograph Being Inbetween was published by Bluecoat Press in November 2020, 

She is a freelance photographer and artist in Residence for Born In Bradford, alongside this she works on personal projects, and portrait commissions.  

WEDNESDAY 19th JUNE

JANINE WIEDEL

Janine Wiedel is an internationally important documentary photographer whose work spans over five decades. Tutored by Ansel Adams and Nancy and Beaumont Newhall, she photographed the Black Power movement in the late 1960s and Berkeley People’s Park protest and riots of 1969. Arriving in England in 1970, she embarked on a continuous series of long-term projects including five years documenting Irish travellers. Her later work includes the Greenham Common Women’s Camp, the multicultural community squat in St Agnes Place, London, and the BAME and Rastafarian communities in Brixton. Her latest work includes six months photographing in the Calais ‘Jungle’ and Grande-Synthe refugee camp in Dunkirk. Always politically committed, Janine’s outstanding work is in the best traditions of humanist photography.

In 1977, Janine Wiedel set out in her VW campervan to photograph industry in England’s West Midlands – once the heart of the Industrial Revolution. A region that was home to thousands of businesses – from potteries and jewellers to coal mines, steel and iron works – was in steep decline; underinvestment over many decades in both premises and machinery had created a depressing situation where once world-leading businesses were no longer competitive internationally and facing a grim future.

Janine realised that this was a critical turning point in Britain’s industrial history and she set out to document the workers within their working environment. She was given remarkable access by the factories and was welcomed by the workforce, who greatly appreciated her interest in recording not just their daily work routines but also the bonding and social interaction that was so important in often grim factory environments. This industrial work became Vulcan’s Forge, which was exhibited in The Photographers Gallery in 1979 and is now a beautiful 250+ page monograph recently published by Bluecoat Press.

WEDNESDAY 5th JUNE

MICHELLE SANK

Michelle Sank was born in South Africa and settled in the UK in 1987. She grew up during Apartheid and is the daughter of Latvian immigrants. She cites this background as informing her interest in sub-cultures and the exploration of contemporary social issues and challenges. Her crafted portraits meld place and person creating sociological, visual and psychological landscapes and narratives.

Her photographs have been exhibited and published extensively in the UK, Europe, Australia and Mexico, South Africa and the U.S.A. Her imagery is held in the permanent collections of Allan Servais, Brussels, Open Eye Gallery Archive, Liverpool, Societe Jersiaise and Guernsey Museum, Channel Islands, Southeast Museum of Photography, Florida and The Museum of Fine Arts, Houston, Texas, RAMM, Exeter and The Museum of Youth Culture, UK.

She has won numerous prestigious awards, including:

The Taylor Wessing Portrait Prize, British Journal of Photography, and more recently, the Portraiture Category in the The Sony World Photography Awards 2024.

She has 5 Published Books to date, her latest work about the Burnthouse Lane Community in Exeter having just this month been published by Dewi Lewis.

WEDNESDAY 22nd MAY

DANIEL MEADOWS & MARK McNULTY

Daniel Meadows, photographer and digital storyteller, is a twentieth century pioneer of British documentary practice. His photographs and audio recordings, made for over fifty years, capture uniquely the felt life of the everyday in England. Challenging the status quo he has always worked collaboratively, in a sensitive and gently respectful way.

Fiercely independent from the outset, Meadows contrived his own ways of working: running a free portrait studio in Moss Side (1972), then travelling 10,000 miles in his converted double-decker the Free Photographic Omnibus (1973-74) to make a national portrait, a project he returned to a quarter-of-a-century later. As an early adopter of digital tools he was among the first to combine audio with photographs to make digital stories. Repeatedly he has returned to those he has photographed, listening for how things are and how they’ve changed.

Daniel recently spoke at our Northern Eye Photography Festival on the 50th Aniversary of his Free Photographic Omnibus project.

Inspired by this, we commissioned North Wales based photographer Mark McNulty to work with us to create our new exhibition – A Bay View (now on display at the Coed Pella building). During October half-term we set up a free pop-up studio in the Bayview Shopping Centre and photographed passers-by over a period of four days.

Mark McNulty‘s career as a professional photographer has been wide and varied for over thirty years. For much of his early career he specialised in working in the music industry, touring with bands and shooting gigs and club culture across the uk.

Since those early days he has expanded to cover a diverse and varied range of subjects including lifestyle, portraiture and arts.

Mark recently exhibited 35 Summers at Oriel Colwyn celebrating approximately thirty five years of music photography by Mark and was the first full retrospective of his vast music photography archive.

We photographed 307 people with Mark for our Bay View exhibition and this snapshot is our own archive of people and life in Colwyn Bay in 2023. We hope that in another 50 years’ time it can be looked back on with the same affection as Daniel’s photographs now are, remembering family, faces, friendships, styles and fashions… and that the people we photographed can also then take their own place in history.

We are pleased that Mark will be joining us in discussion with Daniel for the last part of the evening’s talk.

THURSDAY 9th MAY

PETER DENCH

Peter Dench is a UK-based photographer, presenter, writer, author and curator.

Dench’s style easily lends itself to editorial and commercial assignments for global brands such as Ford, Canon, Coca-Cola, Weetabix, Barclays Wealth and Barclaycard.

Achievements include a World Press Photo Award in the People in the News Stories Category for the reportage, Drinking of England. A FIFA-sponsored project, Football’s Hidden Story, comprising 26 stories across 20 different countries, documenting the positive impact of football, received six global accolades.

Solo exhibitions include: Made in England at the Haus der Geschichte, Bonn, Germany; Trans-Siberian World Cup at the After Nyne Gallery, London UK. A1: Britain on the Verge and DENCH DOES DALLAS, both at the Art Bermondsey Project Space, London UK. The British Abroad at the Photoreporter festival, France. England Uncensoredat the Visa Pour L’image Festival of Photojournalism in France and the Periscopio Festival, Spain.

Books include: THE DENCH DOZEN: Great Britons of Photography Vol.1 (2016 Hungry Eye); DENCH DOES DALLAS (2015 Bluecoat Press), The British Abroad (2015 Bluecoat Press) Alcohol & England (2014 Bluecoat Press) and England Uncensored (2012 Emphasis), which was a Pictures of the Year International photography book award finalist.

Written contributions have been commissioned for the New Yorker, Telegraph magazine and a number of photography journals.

TV credits include What is it to be English? and Brexit Leavers’ Voices Burnley for Channel 4 News UK.

Dench is Co-Curator of Photo North Festival UK and OM System Ambassador.

FRIDAY 26th APRIL

TESSA BUNNEY

For over 30 years, Tessa Bunney has photographed rural life, working closely with individuals and communities to investigate how the landscape is shaped by humans. From hill farmers near her home in North Yorkshire to Icelandic puffin hunters, from Romanian nomadic shepherds to Lincolnshire flower farmers her projects reveal the fascinating intricacies of the dependencies between people, work and the land.

‘FarmerFlorist’ was exhibited at Oriel Colwyn in 2019 and published by Another Place Press as part of their Field Notes series and in early 2020 her exhibition ‘Otherwise Unseen’, bringing together four series which explore various rural communities in Europe and Southeast Asia was shown at the Side Gallery in Newcastle-Upon-Tyne.

Recent work includes ‘Made out of Orchards’ which was commissioned, published and exhibited by the Martin Parr Foundation and ‘Going to the Sand’, an ongoing personal project collaborating with Morecambe Bay fishermen which was published by Another Place Press in 2023.

She is the recipient of the TPA/RPS Environmental Bursary 2023 to work with fishermen from the Teesside and Yorkshire coast to tell their story following the devastating wash-up of crabs and lobsters on which their livelihoods depend.

Tessa regularly gives talks about her practice to a wide range of community groups, galleries, schools and universities. She is currently photography lecturer at York St John University.

To make things fair we will only release details of the speakers and tickets for these on a monthly basis.

FRIDAY 12th APRIL

NIALL McDIARMID

Scottish photographer Niall McDiarmid has been living and working in London for more than 30 years. However, he is best known for travelling across the country producing colourful and celebratory street portraits from the North of Scotland, all the way south to Cornwall.

His work has been exhibited at a variety of galleries and museums across the country and internationally including the Martin Parr Foundation, the Museum of London and of course, Oriel Colwyn and its outdoor projects across towns in North Wales. In coming months exhibitions of his work will be held in Spain and Belgium.

In recent years his work has moved in new directions including a long series entitled Nightfall which focusses on the early evening transition between day and night. Even though Niall grew up on a small farm in rural Perthshire, this series of images shot across the UK reflects his intense love for city spaces. At the same time the work has an underlying sense of melancholy often associated with dusk.

Niall will talk about his ongoing projects, his continued joy in making daily street photographs and the restless urge to continue journeying across the UK.

THURSDAY 28th MARCH

MOHAMED HASSAN

MOHAMED HASSAN, originally from Alexandria in Egypt, has been living and working in Pembrokeshire, in west Wales in the UK since 2007.

Living and studying in Wales has been pivotal to his journey as an artist as he becomes more connected to the people, communities and land of Wales. As a result of these experiences he is devoted to continue his journey as a Welsh artist, graduating with a 1st class honours degree in Photography from Carmarthen School of Art in 2016.

As an artist with dual nationality, Mohamed’s projects explore his identity as part of an ever expanding diasporic community based in Wales.

The constant feeling of displacement and questions of identity are forever present.

When Mohamed first arrived here he felt as if he was in a dream, and as he discovered and explored more of Wales found inspiration in the rugged landscapes around him. As a newcomer to Wales he has also become captivated with its rich and artistic culture and language, steeped in ancient folklore and song – and has a continuing fascination in documenting his direct experience of people and the land.

Mohamed has been creating photobook dummies and we are pleased he will also be sharing and talking about his thoughts and processes for making these.

Mohamed has been shortlisted for several awards and competitions and his work has been exhibited at the prestigious Mission Gallery, the Waterfront National Museum in Wales the Trajectory Showcase Competition Exhibition in Shoreditch, London, Nova Cymru 2018, and a portrait was included in the Taylor Wessing Photographic Portrait exhibition 2018 at the National Portrait Gallery in London.

More recently Mohamed has exhibited 4 images in ‘Facing Britain’, curated by Ralph Goertz at Kunsthalle Darmstadt Museum Goch – touring to Koslar and Krakow in 2022. In Wales, the ‘Many Voices, One Nation 2’ exhibition supported by the Senedd and exhibiting at Ffotogallery included 11 of his images and he has also had 5 images included in the Oriel Davies ‘Responding to Rembrandt’ exhibition.

THURSDAY 14th MARCH

RICHARD BILLINGHAM

Richard Billingham (born 25 September 1970) is an English photographer and artist, film maker and art teacher. His work has mostly concerned his family, the place he grew up in the West Midlands, but also landscapes elsewhere.

Billingham is best known for the Photobook Ray’s A Laugh (1996), which documents the life of his alcoholic father Ray, and obese, heavily tattooed mother Liz. Billingham adapted this into his first feature film, Ray & Liz (2018), a memoir of his childhood.

He won the 1997 Citibank Private Bank Photography Prize (now Deutsche Börse Photography Prize) and was shortlisted for the 2001 Turner Prize. His work is held in the permanent collections of Tate, the Victoria and Albert Museum, and Government Art Collection in London.

Billingham lives in Swansea on the Gower Peninsula in South Wales and holds professorships at Middlesex University and the University of Gloucestershire.